Korg M3 88-Key Music Workstation Keyboard

价格： $3499.00 (约合人民币 ￥25543) （注：此价格为美国市场参考价格，非本站出售价格，本站正在积极搭建代购渠道！）

• 浏览：513次
• 品牌：Korg
• 状况：全新
• 类别：键盘、MIDI - 合成器、工作站 - 工作站
• 一句话简介：OASYS-inspired power comes to the M series!
• 简介：Korg redefines the workstation keyboard category by distilling the power of their flagship OASYS into the M3! The powerful EDS (Enhanced Definition Synthesis) sound generator is derived from the OASYS' HD-1 engine design, and it also has advanced second-generation KARMA functionality in addition to a multi-purpose control surface. This M3 music workstation/sampler is an 88-key model that uses Korg's authentic RH3: Real Weighted Hammer Action 3 keyboard with zone graded action response for great playing feel and expressive aftertouch response.
  
  Adding innovations such as the new concept of virtualized hardware that allows tighter integration with DAW systems, Drum Tracks which provide a instant groove to play along with, and the Korg Komponent System concept that facilitates more flexible system construction, the M3 music workstation/sampler opens an exciting page in music making.
  
  Enhanced Definition Synthesis—a new horizon of sound-making potential
  The M3 keyboard features a newly developed EDS sound generating system based on a chip design developed in parallel with the HD-1 engine from the flagship OASYS. It takes full advantage of the M3's 256MB of PCM source material.
  
  Using Korg's advanced voicing technology, the 1,028 multisamples, 1,606 drum samples, dual oscillators, four-level velocity switching/crossfading/layering, and stereo sampling allow for an enormous range of high-quality, detailed, and expressive sounds.
  
  The filter section lets you simultaneously use two resonant filters for each oscillator and can be configured in series or parallel. Four filter types are provided: low-pass, high-pass, band-pass, and band-reject.
  
  The amp section features a driver circuit that gives the sound a sense of edge and character, along with low boost to help shake the walls when needed. Integrated 3-band EQ allows tonal sculpting without needing to go to the effects section. Detailed envelope generators, abundant modulation routings, and the all-new AMS Mixers give you advanced processing possibilities for an intense level of sound shaping.
  
  Effects
  The effect section provides up to five insert effects, two master effects, and one total effect. In addition to great choruses, flangers, phasers, delays and reverbs, the 170 effect types include dynamic processing effects such as compressor and limiter, amp modeling and speaker simulation effects using Korg's proprietary REMS modeling technology, and evocative effects like the Grain Shifter and Talking Modulator.
  
  Funky drummer
  The M3 provides a Drum Track function that adds a groove to each sound you play. Combined with KARMA, Drum Tracks make a single program a complete sonic adventure sure to inspire. You can select from over 500 patterns and start them with a dedicated button, from a desired region of the keyboard, or by playing a velocity above a specified threshold. Drum Tracks are driven by MIDI data and stored in a pattern format so you can create your own patterns in sequencer mode by recording them or importing them from SMF data or other user's songs. You can also convert recorded KARMA data as MIDI events for further manipulation or import sampled loops.
  
  Expanded Combination Mode
  Combination Mode lets you assign multiple Programs freely as splits and layers across the keyboard, including velocity switching and cross-fading for complex and expressive sounds. The M3 allows for sixteen timbres at the same time, including a Drum Track, up to four KARMA Modules, multiple effects, and much more. Each timbre has dedicated 3-band EQ for getting the perfect mix, and a powerful Tone Adjust setup for detailed in-context sound shaping.
  
  Great sounds
  The M3's international voicing team delivers the goods: stunningly realistic imitative sounds, fat synth sounds, imaginative textures, evocative sound effects—it's all here. The M3 comes loaded with 512 Programs and room for a total of 1,664 user sounds (13 banks plus GM). All sound locations are fully editable (except GM banks), so you are always free to tweak a sound if needed. Adding in the EXB-RADIAS option delivers 128 powerful MMT synthesis sounds. There are 32 drum kits provided, and room for a total of 144. As for the 16-part Combinations, 384 come preloaded, with room for a total of 1,792 (14 banks). All sounds (Programs and Combinations) are divided by category and subcategory making it easy to find and organize your sounds.
  
  Second Generation KARMA
  The second generation KARMA functionality that first appeared on the OASYS is fully implemented in the M3. KARMA is the inspiring, realtime music generation system that can help you play everything from natural instrument gestures like intricate fingerpicking, strumming, and harp glissandos, to complex cascades of notes, dance riffs, gated, and chopping effects, plus improvising drum grooves.
  
  In Program Mode, one KARMA Generated Effect (GE) can be used, in Combi and Sequencer modes, four KARMA Modules are available simultaneously. Eight sliders, eight switches, and eight scenes provide dedicated realtime control and the ability to store complete snapshots of your settings.
  
  The Control Surface can access and manipulate each module individually on its own Module Layer. In addition to the four individual Module Layers, there is a Master Layer that can be mapped to parameters from any of the modules, even grouping them together.
  
  Finally, KARMA provides a signature sonic effect called Wave-Sequencing that can change a sound's waveforms rhythmically in realtime, along with everything else KARMA is doing, allowing each note to access a different waveform as it is generated. The results can resemble traditional wave-sequencing, or enter completely uncharted realms of sound design.
  
  Ultimate expressive power
  The color LCD of the M3 not only provides a touchview GUI that ensures intuitive and easy operation, but it also operates as an X-Y Pad, allowing sound and effect parameters to be controlled in realtime by sliding your finger across or tapping on the screen—much like the innovative Korg KAOSS Pad. Further control is provided by a Motion function that lets you capture and play back your finger moves to shape your sound and performance in unique ways. The screen even changes colors in response to the movement of your finger for visual feedback of your performance.
  
  Eight dynamic, velocity-sensitive pads give you a great way to play drum sounds or up to eight-note chords, either live or as triggers for the powerful KARMA function.
  
  The eight slider/eight switch control surface offers the same multifunctionality as on the OASYS: it can be used as a mixer, a set of expressive sound controls, an editing interface, a realtime KARMA performance interface, or to control external software and hardware synths and effects.
  
  RADIAS inside
  You can add an internal RADIAS analog modeling synthesizer sound generator board (one timbre, four parts, up to 24 voices), with onscreen integration of all its parameters and full integration with the M3's effects, control surface and KARMA functionality. The EXB-RADIAS offers the same vocoder as the RADIAS, offering 16 bands with individual control over level and panning. Formant Motion records the formant of a sung or spoken phrase so it can be recreated anytime.
  
  Open Sampling
  The M3's Open Sampling System lets you sample and resample in any mode to produce remixed combinations of sounds and effects, or to capture full performances In-Track within the sequencer. Cutting-edge editing tools include Time Slice, Time Stretch, Crossfade Looping, Rate Change and Normalize.
  
  Stock sampling memory is 64MB, and can be increased to 320MB by adding the optional EXB-M256 memory expansion board. Samples in Korg native format, AIFF, WAV, Soundfont V2.0 and AKAI (S-1000/3000 with advanced Program parameter conversion) formats can be used.
  
  Sampling can also be done to attached media, so USB memory sticks and hard drives can be used to extend memory size to resample a complete song as a WAV file to be burned to a USB CD-R/RW as an audio disc, or for moving to a computer for further editing and manipulation.
  
  High-Resolution Sequencer
  The sequencer that's at the heart of the M3's song production is an intuitive 16-track design that holds up to 128 songs and 210,000 notes. The high timing resolution of 480 PPQ captures every nuance and detail of your performance. Three-band EQ per track provides detailed sound-shaping, as does the Tone Adjust sound tweaking function.
  
  The Cue List function has been a popular feature ever since the now-classic TRITON series. It lets you create songs in sections, or play back completed songs as a medley. All the now-classic Korg features are included, such as the one-touch Auto Song Setup feature, which takes you from playing a Program or Combination to ready-to-record status in one easy step.
  
  Song Templates contain pre-assigned effect routings and program assignments—the M3 comes with 16 of these Song Templates, plus another 16 you can custom-tailor to your own needs. Each Template Song also provides a number of rhythm patterns—including intro, fills and endings—you can use to instantly create a rhythm track.
  
  Realtime Pattern Play and Record (RPPR) can be used to assign sequenced Patterns to individual keys on the keyboard for an interactive performance, or to quickly build up tracks. You can record controller data, Sys. Ex., or even KARMA phrases and trigger them as you like.
  
  Virtualized hardware
  By connecting the M3 to your computer via USB and using the included stand-alone M3 Editor software, you can edit sounds and settings from your computer. A plug-in version of M3 Editor is also provided, so you can use it from within your DAW as a plug-in instrument. The editor runs as a VST, AU or RTAS plug-in for maximum compatibility. For even more complete integration, Korg's new "Virtualized Hardware" concept comes into play. When the optional EXB-FW FireWire board is installed, a single FireWire cable will convey both the M3's MIDI and audio signals to the tracks of your DAW in which the plug-in is running.
  
  Korg Komponent System
  The M3 music workstation/sampler introduces the Korg Komponent System, featuring detachable keyboard and sound generator sections. The 61-key model lets you mount a RADIAS-R analog modeling synthesizer instead of the M3-M sound generator, the 73-key model lets you mount the M3-M together with a RADIAS-R analog modeling synthesizer, and the 88-key model supports the combination of M3-M and RADIAS-R or even mounting two M3-M units simultaneously. Of course you can detach the M3-M sound generator and use it as a sound module, giving you great flexibility for constructing the system you need whenever you want.
  
  A rich array of input/output jacks
  The M3 offers two analog and two digital (S/P DIF) inputs. In addition to the main two-channel output (L/MONO, R), there are four independent outputs as well as two-channel digital output (24-bit optical S/P DIF). Two USB connectors are provided: a type-B USB connector for connection to your computer as a MIDI interface, and dual type-A connectors for connecting external storage media. USB 2.0 is supported to ensure high-speed transfer of large amounts of data.
  
  The optional EXB-FW adds Firewire ports for conveying both audio and MIDI to your computer, and for daisy-chaining the M3 in your Firewire-based studio setup.
  
  Three pedal inputs are provided, including damper jack support for half-damper sensing. The footswitch and footpedal jacks can be assigned to wide choice of functions including modulation, sostenuto, Program advance, punch-in recording and much more.
• 技术参数：
  1. Overview
  2. Keyboard - 88-key weighted action (RH3: Real Weighted Hammer Action 3 keyboard with zone graded action response)
  3. Controllers - Joystick, Ribbon Controller, [SW1], [SW2]
  4. Interface
  5. TO MODULE (for connection to M3-M tone generator module)
  6. TO MODULE (second))
  7. Display - 5.7 inch color TouchView GUI, 320 x 240 dot, X Y control function
  8. Control Inputs - Damper Pedal (half damper pedaling supported), Assignable Switch, Assignable Pedal
  9. Synthesis Technology
  10. EDS (Enhanced Definition Synthesis)
  11. MMT (Multi Modeling Technology) sound generator can be added by installing the optional EXB-RADIAS
  12. Tone Generator
  13. 256 Mbyte (when converted to 16-bit linear format)
  14. 1,032 Multisamples
  15. 1,606 Drum Samples
  16. Maximum Polyphony
  17. 120 voices, 120 oscillators max, single mode
  18. 60 voices, 120 oscillators max, double mode
  19. (The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading).
  20. Program Structure (EDS)
  21. Oscillator - OSC1 (Single), OSC1+2 (Double)
  22. Stereo multisamples are supported
  23. 4 velocity zones per oscillator, with switching, crossfades and layers.
  24. Filters
  25. Four types of filter routing (single, serial, parallel, 24 dB)
  26. Two multi-mode filters per voice (low pass, high pass, band pass, band reject)
  27. Driver - Per-voice nonlinear driver and low boost
  28. EQ - Three bands, with sweepable mid
  29. Modulation
  30. For each voice: two envelope generators (Filter & Amp)
  31. Two LFOs
  32. Two key tracking generators (Filter & Amp)
  33. Two AMS mixers
  34. Pitch EG
  35. Common LFO
  36. Two common key tracking generators
  37. Combination Structure
  38. Up to sixteen timbres
  39. For each Timbre: keyboard and velocity split/layer/crossfade
  40. INT, OFF, EXT and EX2 MIDI status settings
  41. 3-band EQ with sweepable mid
  42. Pitch/Transpose
  43. Use OSC1, 2 or Both
  44. Force Osc Mode (PRG, MONO, LEGATO, POLY)
  45. Portamento and Bend range settings
  46. Controller filters
  47. Modifications to the program settings via the Tone Adjust function
  48. Drum Kit Structure
  49. Stereo and mono drum samples
  50. 4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer)
  51. Exclusive keygroups
  52. Per key 3-band EQ, Drive, Lo Boost, filter and level offsets
  53. Sampling
  54. 16-bit, linear, 48 kHz mono/stereo sampling
  55. Resampling available (Open Sampling System)
  56. 64 Mbyte memory standard (expandable up to 320 Mbyte with EXB-M256 option)
  57. Sampling time (RAM)
  58. RAM1 (64 Mbytes standard) allows up to approximately 11 minutes 39 seconds of mono sampling or approximately 5 minutes 49 seconds of stereo sampling. 512 bytes are used by the system.
  59. RAM2 (256 Mbytes when the EXB-M256 is installed) allows up to approximately 46 minutes 36 seconds of mono sampling or approximately 23 minutes 18 seconds of stereo sampling.
  60. RAM1+RAM2 (Total 320 Mbytes) allows up to approximately 58 minutes 15 seconds of mono sampling or approximately 29 minutes 7 seconds of stereo sampling. (Continuous sampling across RAM1 and RAM2 is not possible.)
  61. Sampling time (MEDIA)
  62. Maximum sampling time to a USB storage device is a maximum of approximately 80 minutes for one sample file, for either mono or stereo. This occupies approximately 440 Mbytes for mono, or 879 Mbytes for stereo.
  63. 1,000 Multisamples, 4,000 Samples, 128 indexes per sample
  64. Supports Korg format, AIFF, WAV, AKAI S1000/S3000 (with advanced Program conversion), SoundFont 2.0 reading
  65. Sample directly from audio CDs (CD-DA)
  66. Time Stretch, Time Slice, Crossfade Loop, and other editing features
  67. Effects
  68. 5 Insert Effects (stereo in/out), 2 Master Effects (stereo in/out), 1 Total Effect (stereo in/out) are available simultaneously
  69. 2 effect control busses, 2 effect common LFOs
  70. 170 types (can be used for Insert/Master/Total.) Note: double-size effects cannot be used as a Total effect.
  71. Effects Presets: Up to 32 per Effect
  72. AUX bus: Two internal buses for sampling and routing audio to the EXB-RADIAS
  73. 3-band Track EQ (High, low, and sweepable mid band) Per Program in Program Mode, per Timbre in Combination mode (16 total), and per Track in Sequencer mode (16 total)
  74. X-Y control
  75. X-Y MODE -The TouchView display can be used as an X-Y controller. Hold function provided.
  76. X Y MOTION function - X Y Control finger movements can be recorded in realtime, and memorized for each Program, Combination, or Song.
  77. Program mode - Oscillator volume, synth parameters, and effect parameters can be controlled.
  78. Combination, Sequencer modes - Timbre/track volume, synth parameters, and effect parameters can be controlled.
  79. Sounds
  80. Programs - 1,664 user locations, 640 preloaded (512 EDS+128 RADIAS) (with EXB-RADIAS option installed)
  81. Combinations - 1,792 user locations, 384 preloaded
  82. Drumkits - 144 user locations, 32 preloaded
  83. GM - 256 GM2 programs, 9 GM2 drum kits
  84. Sequencer
  85. 16-track MIDI sequencer with 480 ppq resolution
  86. 128 Songs, 20 Cue Lists, 210,000 notes (max)
  87. Tempo: 40.00 300.00 BPM (1/100 resolution)
  88. 16 preset/16 user Template Songs
  89. 522 preset patterns, 100 user patterns (per Song)
  90. Cue List function: 20 cue lists, Songs can be arranged consecutively or repeatedly in up to 99 steps, A cue list can be converted back into a song
  91. Standard MIDI File (SMF) format 0 and 1 available
  92. In-Track Sampling function
  93. Auto Song Setup function (One Touch Record) for easily going from a Program or Combination into "record-ready" status
  94. RPPR (Realtime Pattern Play/Recording)
  95. A set of 100 patterns are available per Song
  96. Drum Track
  97. 522 preset patterns/1,000 user patterns
  98. Patterns created in Sequencer mode can be converted to drum track user patterns
  99. Trigger Mode (Immediate, Wait for Keyboard), Sync (On, Off) and Zone (Key and Velocity) settings can be specified.
  100. Program selection, 3-band EQ and effect bussing available
  101. KARMA
  102. One KARMA module available in Program Mode, four KARMA modules available in Combination and Sequencer Modes, plus Master Control module
  103. 2,093 preset GEs (Generated Effect)
  104. Controllers: ON/OFF, LATCH, MODULE CONTROL, KARMA SLIDERS 1 8, KARMA SWITCHES 1 8, KARMA SCENES 1/5 4/8 (8 scenes).
  105. KARMA Wave Sequence, Freeze Randomize, Time Signature Control, Auto RTC (Realtime Control) Setup
  106. Controllers
  107. CONTROL ASSIGN
  108. (T1 8, T9 16, INPUTS), REALTIME CONTROL, EXTERNAL, TONE ADJUST, KARMA
  109. Control Surface (8 sliders, 8 switches)
  111. 8 Switches:
  112. MIXER PLAY/MUTE (SOLO)
  113. REALTIME CONTROL= IFX1 5, MFX1, MFX2, TFX on/ off
  114. EXTERNAL= External MIDI control*
  115. TONE ADJUST= Control the Tone Adjust functions
  116. KARMA= KARMA control
  117. 8 Sliders:
  118. MIXER= Volume
  119. REALTIME CONTROL= Realtime modulation
  120. EXTERNAL= External MIDI control*
  121. TONE ADJUST=Control the Tone Adjust functions
  122. KARMA= KARMA control
  123. * In External mode, the eight sliders, eight switches, and eight pads can be used as MIDI controllers, allowing you to control software synthesizers or DAW software via CC settings. 128 setups can be stored (102 are preloaded).
  124. 8 velocity-sensitive drum pads and chord triggers:
  125. [KARMA ON/OFF]
  126. [KARMA LATCH]
  127. [CHORD ASSIGN]
  128. [DRUM TRACK ON/OFF]
  129. [PAD MODE] - selects velocity-sensitive or fixed-velocity operation
  130. [KARMA MODULE CONTROL]
  131. [RESET CONTROL]
  132. X-Y Control (Display), Hold, Motion
  133. 媒介
  134. Load, Save, Utility, Make Audio CD, Play Audio CD
  135. Data Filer functionality (Save and Load MIDI System Exclusive Data)
  136. CD-ROM/R/RW (UDF Format read/write), Record & Play audio CDs (CD-DA), ISO9660 Level 1
  137. WAVE file editing functionality
  138. CD-ROM/R/RW can be used when a commercially-available USB drive is connected.
  139. Audio Outputs
  140. L/MONO, R - 1/4" TS (Mono), unbalanced
  141. INDIVIDUAL-1, 2, 3, 4 - 1/4" TS (Mono), unbalanced
  142. Output Impedance: 1.1k Ohm stereo; 550 Ohms mono (L/Mono only), Nominal Level
  143. S/P DIF (optical 24-bit, 48 kHz), S/P DIF IEC60958 EIAJCP-1201, provides igital output of the same signals as AUDIO OUTPUT (MAIN) L/Mono, R
  144. (Optional) EXB-FW - 6 channels, 24-bit, 48 kHz Sample rate, provides digital output of the same signals as AUDIO OUTPUT (MAIN) L/Mono, R and AUDIO OUTPUT (INDIVIDUAL) 1 4
  145. Headphones - 1/4" TRS (Stereo), Output Impedance: 33 Ohms, Maximum Level
  146. Audio Input
  147. 1, 2 - 1/4" TS (Mono), unbalanced
  148. (level switch (MIC/LINE), level knob) - Input Impedance: 10 k Ohms, Headroom
  149. Input level range MIC: 54 dBu 17 dBu or greater (typical), Source Impedance
  150. S/P DIF (optical 24-bit, 48 kHz) IEC60958 EIAJCP-1201
  151. (Optional) EXB-FW - 2 channels, 24-bit, 48 kHz Sample rate
  152. Interface
  153. MIDI IN, OUT, THRU
  154. Computer
  155. 2 USB type A hi-speed connectors, supporting 480 Mbps (for storage devices)
  156. USB type B connector (for MIDI interface, USB 2.0 supported)
  157. 2 FireWire ports (when EXB-FW (separately sold option) installed)
  158. Keyboard
  159. TO KYBD (for connection to keyboard assembly unit)
  160. Included Accessories
  161. AC cord
  162. Owner s Manual (M3 Operation Guide)
  163. CD-ROM (M3 Parameter Guide (PDF)
  164. Voice Name List (PDF)
  165. KORG MIDI driver
  166. M3 Editor stand alone and plug-in versions
  167. Bracket (Module only)

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